I have always been a fan of journaling, from my early childhood diaries (with all the things that ARE in the family attic, I sure wish I could find those!!!) to later becoming a devotee of Julia Cameron’s morning pages. Some years my journals consisted mostly of hastily scribbled grocery and other to-do lists, with little time for art or creative thinking. In other years I filled notebook after personal notebook; at other times I focused on writing articles for professional journals, writing solely at the keyboard and rarely using my favorite pen.
In more recent years, I’ve added David Allen’s Getting Things Done methodology to the mix and found that a good excuse to add more, and different, notebooks to my life. Collage techniques and acrylic paints and mediums help to create artful covers to go with the various notebooks: one for “mindsweeps,” daily journals with perforated pages to “collect and capture,” . . . and of course the sketchbooks and art journals we keep to capture all those creative ideas that we must act on asap, or that must age for a time before their time comes. Here is another cover from my recent designs . . . yes, I seem to enjoy red and black these days!
Today was one of those beautiful post-blizzard days in New England . . . just warm enough for a short walk with the Studio Pup, which meant lots of time leftover for making art. Inspiration came quickly by seeing the connections between a box of vintage postcards recently unearthed in the family attic, waking this morning from vivid dreams of abstract acrylic paintings (a sure sign I haven’t been spending enough time in the studio!), and Jane Davies’ recent blog post on the threatened closure of her rural post office. Those who have ever lived in a small town know that the local post office is the heart and soul of a village, so Jane’s plight touched the hearts of artists around the world. Jane is a well-known mixed-media artist and teacher with a generous and whimsical spirit, so the overwhelming response so far is not surprising and certainly well-deserved!
I raided my new-found box of vintage postcards and used gesso, acrylics, thread and fabric to create new masterpieces over the originals. Antique dealers might question my logic — the entire stash dates to 1906-1907, and many have already been postmarked — though the postmarks are clear, most of the original one-cent stamps have since fallen to the bottom of the box. One of the cards I’ll likely be sending to Jane was originally printed in Cuba, but others are from far-flung states and small villages like Rupert, Vermont.
I sometimes wonder why I keep some of the things I do . . . but I always know that someday it will become obvious!
If you haven’t already, please send Jane an artsy postcard at:
P. O. Box 45, Rupert, VT 05768
MJRussell_Jan2011_Highly Prized | Flickr – Photo Sharing!.
January is a month for catching up . . . and branching out! This year I’m experimenting with new media as well as textiles, but of course can’t resist integrating some of my previous artwork in new ways. I’m a member of The Sketchbook Challenge, where January’s theme was “highly prized.” Here I’ve collaged a digital image of my puppy (which I’ve also used in the past as a photo emulsion silk-screen) over a background of gesso and acrylic paints and highlighted with wax crayon, art pens, & markers. As you can tell from the journal text, he was a bit of a wild child!
Do check out the Flickr site for The Sketchbook Challenge to see hundreds of images from other members of the group!
It’s now an old family phrase, coined twenty plus years ago from the movie ‘Crocodile Dundee’ . . . and “walkabouts” have been part of our lifestyle ever since. Living in Vermont and not Australia, we tend to use our car quite often for what we probably should call “ridearounds” — but I love it when I can get to a city with a great number of art venues within walking distance. A good place to start is monthly art walks in a city near you, such as the First Friday Art Walk in Burlington, VT.
If you find yourself in Providence RI, look for these great scenes on Wickenden Street. You’ll love the lemon cake at Seven Stars Bakery and of course, no visit to Providence is complete without a stop at RISD‘s museum and great art supply store!
Isn’t an art walkabout just the perfect combination of “artist dates” and weekly walks? Share your favorite walkabouts, and we’ll make Julia Cameron proud!
I met fiber artist Judith Reilly at a local quilt show this weekend, and was delighted to receive a copy of her Twelve Life Lessons for Creativity. Judith is a fun and inspiring person, and seeing her list gave me the idea to begin my own collection of quotes and other snippets of inspiration. For now, I’ll begin with listing a few of my favorite books here . . . but rest assured that I’ve also begun a notebook for specific quotes that I’ll post once they’re worthy of being called a “collection.”
- The Sound of Paper
- The Artist’s Way
- Finding Water
- Coaching the Artist Within
- Creativity for Life
David Bayles & Ted Orland
I always watch for Julia Cameron’s latest works but am on the lookout for new books, authors, websites and email lists. Do you have a favorite creativity book, author, or other source of creative inspiration? Please share!
I met a character yesterday — her name is Lyna Lou, and she’s a self-described “printmaking pusher.” Actually, my fellow Studio Place Arts classmates and I dubbed her that – but she’s really just a very passionate and talented printmaker from northern Vermont, and a pretty fun person!
Monoprint images © Mary Jane Russell 2010
In hindsight I should have known I’d fall for this new technique/ medium because mono-printing, collograph, and nature printing aren’t that different from what I’ve done with fabric for years. Yet I really don’t have to confess to a new hobby, just because it involved an etching press and paper rather than fabric, . . . or do I? Unless Until I move the looms around in the downstairs studio to make more space, and start searching eBay for used presses, I think I’m OK.
For now anyway.
What are some of the supporting or ancillary mediums or techniques that you dabble in, while maintaining your primary artistic focus? How do you recognize when a serious new path emerges, and distinguish it from a dead-end diversion? Oh, and for my own sanity check I should ask . . . how many “hobbies” do you have?