Synchronicity in the Matrix

AC II: Elements
© Mary Jane Russell 2006

As guest curator for Studio Art Quilt Associates’ May 2012 online gallery, I hope you’ll take a look at the exciting artwork in the virtual exhibit I’ve entitled “Matrix.”

My left brain loves order, grids and structure, and many of these pieces initially called me from this perspective.  Yet my right brain loves it when the matrix begins to slip, becoming slightly askew . . . and I was delighted to discover other images that dissolved into mystery and intrigue from a less structured base. 

While browsing the online SAQA gallery of thumbnail images, I began to identify “matrix” as my theme . . . but I didn’t realize there would be more connections to come.

Some beautiful artwork by Kevan Lunney appears in this collection, even though it represents more of the “mystery and intrigue” end of my theme than any type of grid.  It was her gold, bronze and cream colorway that first caught my eye; then the detail and depth of her surface design captured my attention — and still will not let it go.

It took me a while to connect that Kevan and I had met briefly at the SAQA-SDA conference recently, but only because we’d connected in another online venue just this month that led me to read about her self-portrait project.  But then as I looked at the closeup of her SAQA piece again while writing this post, I also realized that I’d been captivated by another of her pieces at  Art Quilt Elements 2012 — where it won the SDA Surface Design Award.  Kevan has certainly created an amazing body of work in her “archeology” series, so  I hope you’ll check it out!

Don’t you just love synchronicity? Have you experienced it lately?

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