Synchronicity in the Matrix

AC II: Elements
© Mary Jane Russell 2006

As guest curator for Studio Art Quilt Associates’ May 2012 online gallery, I hope you’ll take a look at the exciting artwork in the virtual exhibit I’ve entitled “Matrix.”

My left brain loves order, grids and structure, and many of these pieces initially called me from this perspective.  Yet my right brain loves it when the matrix begins to slip, becoming slightly askew . . . and I was delighted to discover other images that dissolved into mystery and intrigue from a less structured base. 

While browsing the online SAQA gallery of thumbnail images, I began to identify “matrix” as my theme . . . but I didn’t realize there would be more connections to come.

Some beautiful artwork by Kevan Lunney appears in this collection, even though it represents more of the “mystery and intrigue” end of my theme than any type of grid.  It was her gold, bronze and cream colorway that first caught my eye; then the detail and depth of her surface design captured my attention — and still will not let it go.

It took me a while to connect that Kevan and I had met briefly at the SAQA-SDA conference recently, but only because we’d connected in another online venue just this month that led me to read about her self-portrait project.  But then as I looked at the closeup of her SAQA piece again while writing this post, I also realized that I’d been captivated by another of her pieces at  Art Quilt Elements 2012 — where it won the SDA Surface Design Award.  Kevan has certainly created an amazing body of work in her “archeology” series, so  I hope you’ll check it out!

Don’t you just love synchronicity? Have you experienced it lately?

Screen printing without a net

In the spirit of “make some art everyday, if only for ten minutes,” today I took a short break from gardening to do a little silk screening — on the front of my newest beehive.

This hive has been with me for a few weeks now and still didn’t have a name. I’ve called them “the nuc” (short for nucleus, which is a small colony with a laying queen) or “Pipsqueak,” which seemed rather insulting given their robustness.

A normal artist would have worn a veil; a normal beekeeper would have painted designs on the hives before filling them with bees!

But the day was bright and sunny, and my new bees are fairly gentle. Actually, they were more concerned about doing their jobs than pestering some artist trying to keep a flimsy thermofax screen taut in the afternoon breeze.

I hope that the bees from Ginkgo enjoy their newly decorated home!

Sharing is Caring

In late August 2011, Vermonters felt the 5.8 magnitude earthquake centered in Virginia.  Earthquakes are rare in Vermont, so that was a bit of a novelty.  A few days after the earthquake we experienced the tail of Hurricane Irene, which was “merely” a tropical storm by the time it arrived.  We expected some wind and rain, and maybe some power outages.  Yet Vermont’s topography meant we suffered as much as if our state were oceanfront property.  The several inches of rain that fell in southern and central counties funneled down mountainsides to our small streams.   Even our largest rivers quickly reached flood stage. The damage was quick, devastating, and unexpected by most.

Emergency workers quickly mobilized; communities rallied.  Eventually all the state’s roads reopened, but it took months before the hardest hit areas were accessible again.  Villages continue to struggle as businesses attempt to reopen after navigating the mazes of insurance coverage and the intricacies of claims for flood damage in areas where flooding seemed all but impossible.  Families mourn not only lost real estate and personal possessions, but irreplaceable heirlooms.

We all do what we know best.  Pam Druhen, an enterprising quilt artist, spearheaded the Winter Warmth Project shortly after this disaster unfolded.  I’d recently discovered the “postcard” quilt that I started as a Girl Scout, so I donated that to Pam’s call for unfinished quilt tops knowing that it was unlikely I’d get a bed sized quilt top completed anytime soon.

Some questioned my lack of sentimentality, but I’d already decided that my first quilt was a fitting donation for a family  that had lost all the tangible reminders of their own family history.  As my cousin’s young son used to say, “sharing is caring.”

 

A perch no longer fit for the Studio Prince!

The young prince,  Studio Pup,  has his nose out of joint these days.  For years he’s been able to lounge on the hand-me-down sofa in a corner of my studio, one of the few places that he can stare out the window and doze in the afternoon sun.

But my productivity and organizational system enhancements this year have ruined his royal lifestyle.  For months now I’ve chipped away at the “project” of enhancing certain aspects of my studio that I’d been tolerating, like the broken keyboard tray on my otherwise wonderful computer workstation.  And then came the loveseat.

It was the perfect size, and great quality.  The upholstery however was once nice . . . “back in the day.”  A trip to the local home decorating store,  a few weeks of patience, and more than a little cash and now I have a nearly new loveseat in a beautiful deep-eggplant color to complement the valances made by my dear friend Jan.

Fortunately the Studio Pup is well-behaved, and understands the words “no, not for dogs . . .” He is sure that I’ve lost my mind however, given that it really is the same loveseat in the same place that now he’s no longer welcome to use.  So this is why I’ll be spending the afternoon sewing a new dog bed rather than doing something artistic!

Submersion © MJ Russell 2012 13.5″x20″

Fiber Fantasies

The Flights of Fiber Fantasies exhibit has now been hung at Creative Space Gallery - and what a sight!  I’m thrilled to join fellow art quilters Marilyn Gillis, Pamela Druhen, and Elizabeth Fram in this exhibit.  Our fiber art is beautifully complemented by contemporary baskets by Tamara Wight, exquisite felt by Marsha Chase, and gorgeous paintings and prints by member artists.

The Gallery is open Thursday – Sundays, and is a stop on the Foliage Open Studio weekend sponsored by the Vermont Craft Council. Flights of Fiber Fantasy will be on display through November 5th – if your fall foliage travels include the Champlain Valley of Vermont, please drop by!

No Boundaries

Vermont is certainly lucky to have a spirited and energetic Surface Design Association Rep.  Under Karen Henderson’s leadership, and with the generous sponsorship of the Rae Harrell Gallery, we just concluded a wonderful exhibit featuring a variety of works by our talented members.  Rug hooking, weaving, collage, knitting, art quilts and more adorned the walls of Rae’s beautiful gallery for six weeks in late summer.  The turnout was impressive at both our opening night and the artist’s walk through a few weeks later, and both evenings were highlighted by sales of our members’ artwork.

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Members of the SDA’s Vermont chapter pause before the exhibit opening in August.  Pictured are Betsy Fram, Hillary Harrell, Rae Harrell, MJ Russell, Judy Dales, Karen Henderson and Eve Jacobs-Carnahan.

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MJ Russell and Marilyn Gillis with some of Marilyn’s recent works.

 

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Karen Henderson speaks about her work during the Artist’s Walk-through — note also Rae’s beautiful stash of hand-dyed wool for rug-hooking.

Please visit our blog for more news from this dynamic group! http://sdavermont.blogspot.com/

Not-Quilting . . . by the Lake

There’s no lake at the mid-summer “Quilting by the Lake” conference in upstate New York – at least not since its early days at another college campus.  And despite spending a week at a quilting conference, I actually did not bring my sewing machine!

I enjoyed my week of surface design exploration with Jane Dunnewold tremendously however.  I’d heard Jane speak at the International Quilt Festival in Houston and had participated in several of her lectures and demos there.  But there’s no substitute for getting your hands dirty during a week of surface design.

Actually, there’s no excuse for that either!  Jane is appropriately diligent about studio safety practices and made sure that we did not end the day with dye-stained hands. The light winds and 90+ temperatures dried our fabrics quickly in between steps, while the cicadas hummed in the trees and we enjoyed our spacious air-conditioned studios.   I’ll have to confess that I use most of the techniques in my work already, but the flour paste resists were a great discovery and could be the technique to get past a stumbling block in a series I’ve long considered but never started for lack of the “right” fabrics.

Jane is one of if not the most organized instructors I’ve ever met and she always made sure we completed the preparatory steps in time for the next steps in a process that we’d learn in the coming days.   Other than short breaks for meals, just across the ravine from our classroom, we worked diligently in our studios for at least forty hours that week.  What a great way to spend a “vacation!”